1. Photo: Manuel Harlan
    Photo: Manuel Harlan |

    The Old Vic

  2. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic

  3. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic bar

Old Vic

One of London's oldest theatres, the Old Vic offers big, serious plays, big, serious stars and a few musicals and surprises.
  • Theatre | West End
  • Waterloo
  • Recommended
Ella Doyle
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Time Out says

What is it?

The Old Vic is an iconic theatre right next to Waterloo rail station that’s been around since 1818. It has a lively history, and was once famous for staging all of Shakespeare’s plays between 1914 and 1923 (the first theatre to do so). In 1963 it became the first home of the National Theatre, which finally moved to its purpose-built South Bank digs in 1976. After a tumultuous few decades, the ‘modern’ Old Vic launched in 2003, and is now under the leadership of Matthew Warchus, whose programming constitutes an eclectic array of shows, from musical theatre to modern classic adaptations (it’s especially famous these days for Jack Thorne’s adaptation of A Christmas Carol, for example). It’s been home to theatre stars Judi Dench, Laurence Olivier and Maggie Smith, to name a few. 

Is it worth visiting?

Absolutely, yes. This is, in our opinion, one of the best theatres in London, a blend of star-studded casts, large-scale production and a really beautiful historic theatre space. One-off tourist or life-long local, The Old Vic is a big ol’ fun London night out for families, pals or as a solo eve to see some seriously good theatre. Plus, The Old Vic is worth visiting even if you’re not seeing a show; take advantage of good wifi at the café or check out its bar, also open to non-theatre-goers (and open till 2am Thurs-Sun). Aside from the classics (reds, whites, rosés, Camden beer and Tony’s Chocoloney) there’s seasonal cocktails, like the winter Aperol Spritz featuring ginger beer instead of soda, which I think is a stroke of genius. 

Tickets, accessibility and booking

Ticket prices here really depend on the show, but generally they’re pretty affordable, ranging from £10-20 to £100+ for the really good seats or for peak-time performances. The Old Vic is fully wheelchair accessible (as is its downstairs bar), and it runs accessible performances (BSL interpreted, relaxed viewings, etc). Tickets can be booked online or over the phone, and you get out of the booking fee if you’re a member of Old Vic Together. 

Where’s good to eat near the Old Vic?

You’re 10 minutes’ walk from Forza Wine at the National Theatre, for great cocktails, Italian small plates and a very long wine list. Or if you’re craving good, hearty pub food, head to the Anchor & Hope for nose-to-tail cooking, headed up by St John’s old chef team. For drinks, you’re five minutes from Scootercaffé, a seriously cool retro café/bar with mismatched vintage furniture, a sultry basement and twinkling jazz music. Or try the very swanky Lyaness for pricey but delicious cocktails.

Can’t get enough? Here are the best theatre shows in London, handpicked by our theatre critic Andrzej Lukowski

Details

Address
103 The Cut
Waterloo Rd
London
SE1 8NB
Transport:
Tube: Waterloo; Rail: Waterloo
Opening hours:
Bar open 6pm-midnight Mon and Tue; 1pm-midnight Wed; 6pm-2am Thu and Fri; 1pm-2am Sat
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What’s on

The Brightening Air

It’s a been a long time since we heard from Conor McPherson: aside from his 2020 adaptation of Uncle Vanya (which was prematurely closed by the pandemic), the great Irish playwright’s last original work was his Bob Dylan musical Girl from the North Country, which premiered at the Old Vic in 2017. McPherson returns to the venerable theatrre with what is, astonishingly, his first new straight-up play since 2013’s The Night Alive.  Directed by McPherson himself, The Brightening Air star Chris O’Dowd as Dermot, a man who returns to his family home in County Sligo during the ’80s to join up with his siblings – played by Brian Gleeson and Rosie Sheehy – who need his help in clinging on to the threatened house.  We don’t know a lot beyond that, although McPherson’s work typically includes haunting metaphysical flourishes that speak to a world beyond ours, even if this can often be relatively subtle.
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