As cabaret goes mainstream, it faces challenges as well as opportunities. Time Out London's cabaret editor explored the issues in a talk at this year's Edinburgh Fringe
At last year’s Fringe, Briefs impressed with their mix of raucous boylesque, alt-drag anarchy, circus skills and social satire. It was a somewhat ramshackle mix but that was part of its appeal, speaking as it did to the small troupe’s origins doing lo-fi shows at the back of a Brisbane bookshop. It’s clear from the off that this year’s show, 'The Second Coming', is an altogether more polished affair, opening with a terrifically choreographed fan dance that makes a hackneyed burlesque prop pop anew. Equally impressive aerial and yoyo routines and seriously sexy striptease follow, along with a somewhat less compelling comedy magic turn from assured host Fez Faanana. You begin to wonder whether, a few full-on cock gags aside, the grungy, even radical streak that gave the troupe its edge has been smoothed off in this transition to shiny circus spectacle; but then comes a catwalk/dog-show number that goes places few underground acts would dare to tread, its shock value all the richer for coming in the middle of such an accessible show. From that point on, it’s all gravy. No one else does enormous, gloriously perverted fun quite like this.
And if you like the sound of this, try:
‘Circa: Wunderkammer’, which sees the hugely talented circus company moving in a more sensual direction.
For more from Ben Walters in Edinburgh, follow him @not_television
The latest Edinburgh Fringe cabaret reviews
The hilariously entertaining and exuberantly queer alt-drag troupe hit the Fringe
Gruesomely satirical storytelling from a Deep South fop with a way with words
A Parisian tribute to musical theatre bursting with joie de vivre but lacking in momentum
The nominees are announced for the TO&ST Fringe cabaret award 2013
Eye-boggling dexterity and cheeky charisma from the young sleight-of-hand illusionist
Wonderfully entertaining, utterly unsentimental show from the Fringe's favourite octogenarian
A confrontational, inspirational, riveting show from the New York-based clown pedagogue
A warm, witty and tightly written satire on the discontents of the beauty ideal
Though not without rough edges, at its best this debut set is electrifying
Discover Time Out original video