1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
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What’s on

Encounters: Giacometti x Huma Bhabha

4 out of 5 stars
Encounters: Giacometti x Huma Bhabha is on from May 8 until August 10 2025, followed by Mona Hatoum in September and Lynda Benglis in February 2026.  In the Barbican’s new, light-filled gallery, the City of London skyline provides a fitting backdrop for the tall, wiry works of Alberto Giacometti beside the hybrid, fragmented figures of Pakistani-American sculptor Huma Bhabha.  For ‘Encounters’, the Giacometti Foundation lent some of the Swiss artist’s most elemental figures for an exhibition that will evolve in the coming months with responses from other artists, including Palestinian artist Mona Hatoum and American sculptor Lynda Benglis. In the first of the three, Bhabha’s sculptures focus on the fragmented body – but where Giacometti’s figures are stretched and attenuated, expressing solitude and existential suffering, she fractures the human form more explicitly, tearing it apart. Though separated by decades – Giacometti shaped by postwar Europe and Bhabha by postcolonial trauma and global violence after 9/11 – their works share a profound interest in the aftermath of war and the psychological scars left behind, speaking to the bruised and battered bodies that exist beyond the immediate experience of conflict.  Bhabha fractures the human form more explicitly, tearing it apart The exhibition demands a slow and meditative engagement. As visitors move throughout, the sculptors’ works are arranged at shifting heights: frozen in mid-stride or suspended in stillness, some...

Good Night, Oscar

4 out of 5 stars
This new play by American writer Doug Wright comes to the Barbican from Broadway heralded by a 2023 Tony Award for star Sean Hayes (Will & Grace) and is about someone you’ve likely never heard of. Oscar Levant was a pianist – best known for playing George Gershwin’s music – and a humourist, who popped up in a handful of films including An American in Paris.  This play re-imagines the events surrounding his chaotic appearance as a guest on The Tonight Show in 1958. He arrives at the NBC studio, whose boss is already jittery because of Levant’s erratic past behaviour, from a mental institution. His wife, June (Rosalie Craig), has secured a release under false pretences. Talk-show host Jack Paar (Ben Rappaport) wants to capitalise on his penchant for making controversial jokes live on air. His accompanying nurse, Alvin (Daniel Adeosun), is trying to stop him from popping pills. And Levant himself is hallucinating Gershwin.   Focused so tightly on the early days of American TV, this could potentially sound niche for a British audience. But in Wright’s assured hands, the collision of Levant’s private and public life down the barrel of a camera lens becomes a play about the beginning of so many things we now recognise as staples of celebrity culture. He’s famous for all the reasons he doesn’t want to be – as a performer of someone else’s music rather than a composer. He’s wheeled onto chat shows for controversy by people for whom his mental health is something to be exploited....
  • Drama

Dirty Looks: Desire and Decay in Fashion

From Vivienne Westwood’s mud-inspired collection, to Acne Studio’s stained jeans, the autumn exhibition at the Barbican traces fashion’s obsession with all things dirty, grimy and messy. That’s right. Through the collections of more than 60 designers from Europe, Asia, Africa and the Americas, Dirty Looks: Desire and Decay in Fashion will take a look at everything from models wrestling in mud at New York fashion week, to Hussein Chalayan’s dresses buried underground, and the newish trend, hailing from Copenhagen, ‘bogcore’. Containing pieces from Paco Rabane, Dilara Findikoglu, Maison Margiela, Issey Miyake and Alexander McQueen, Dirt’s lineup promises to give a comprehensive look at the grubbier side of clothing design, with enough to impress any fashion lover. 
  • Design

Lacrima

Getting blessedly back in touch with its avant-garde European side, the Barbican welcomes this three-hour opus from French filmmaker and director Caroline Guiela Nguyen, which looks into the hidden dramas behind the world of couture fashion. It follows a fashion house that’s given a commission to create a dress for a British princess; the play traces the dress’ arduous creation. If that sounds potentially a bit dry: well we don’t know a huge amount about it, but you’ll be thrilled to know the advice includes talk of ‘psychological and physical violence as well as suicide’. Performed in French with Englush surtitles.
  • Experimental

K-Music Festival

Korean music isn’t just about K-pop and the return of K-Music Festival – now in its 12th year –will help you discover a whole range of the country’s diverse aural culture at iconic venues including the Barbican, the Southbank Centre, the Royal Albert Hall, and Kings Place. Highlights of this year’s programme include Seoul-based post-rock outfit Jambinai joining forces with the London Contemporary Orchestra for a one-off orchestral spectacle, composer Won Il delivering Dionysus Robot, an immersive piece merging sound, shamanic rhythm and drag, and genre-hopping quartet Gray by Silver bringing an idiosyncratic blend of contemporary, jazz and classical music incorporating Korean folk instruments to the Royal Albert Hall’s Late Night Jazz Series. Check out the full programme here. 
  • Music festivals

Rohtko

Feted Polish director Łukasz Twarkowski follows up his much-heralded The Employees – which ran at the Southbank Centre earlier this year – with Rothko, an epic four-hour fusion of theatre and live cinema that explores the scandal wherein a couple in 2004 paid $8.3m for a Mark Rothko painting only to discover that it was a fake created by a guy from Queens. Rohtko isn’t just a very long ‘drama’ about these events, but an epic meditation on the difference between real and fake complete with pounding techno beats and two giant video screens. Performed in Latvian, English, Chinese and Polish with English surtitles.
  • Experimental

Lucy Raven: Rounds

The Curve gallery will be transformed with a kinetic light sculpture by Northern American video artist Lucy Raven. Ispired by rotating objects that use centrifugal force, Raven’s sculpture spins an electronic arm, sweeping light around an aluminium and concrete enclosure. Also on show will be her film Murderers Bar, which is the final part of her series The Drumfire. Through four moving images, Raven captures the the biggest dam removal and river restoration project in US history. A landscape in flux, videos show how the dam, the immense reservoir behind it, and the river now coursing through both, are transformed. Both works are a meditation on the cyclical violence, and unrelenting force, that were used in the formation of the Western United States.   
  • Contemporary art

Wendy & Peter Pan

Ella Hickson’s family friendly but somewhat radical reworking of JM Barrie’s Peter Pan was a festive hit for the RSC over a decade ago, and has had several other productions beyond the original. It’s never made it to London though, or hadn’t until now, when director Jonathan Munby’s OG production leaps to the Barbican in a slot that misses Christmas by the best part of a month but does nick half-term. To be fair, it’s not technically a Christmas story in any formal sense, and the timing is worth it for an impressive cast that includes Toby Stephens as Captain Hook/Mr Darling (his first stage role in an age) and a rare return to the stage for Lolita Chakrabarti (now better known as a playwright) as Mrs Darling. Hickson’s story focusses on Wendy, as she heads off on a quest to find her lost brother Tom.
  • Children's

Twelfth Night

The RSC’s Christmas present to London is – once again – a Shakespeare play. And we’re not complaining: Prasanna Puwanarajah’s production of the much loved comedy of shifting identity Twelfth Night was a big hit in Stratford-upon-Avon earlier this year and now transfers to London with much of its original cast on board, including Freema Agyeman as Olivia and Sam West as Malvolio. It’s a song-filled production, with new music from Matt Maltese.
  • Shakespeare

Raymond Gubbay Christmas Festival

Classical music impresario Raymond Gubbay presents his annual handpicked selection of music for the festive season. Highlights include the Christmas carol singalong (Dec 20), Gustav Holsts’s The Planeys (Dec 27), Beethoven's Ninth (Dec 29), the music of Zimmer vs Williams, featuring scores from  ‘Star Wars’, ‘Jurassic Park’, ‘Pirates of the Caribbean’ and ‘Interstellar’(Dec 31), and the New Year's Day Proms. All set to take place in the Barbican's lovely hall, these musical picks are a classy, Christmassy way to spend an evening. 
  • Concerts
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