1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
Prices vary
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What’s on

Frau Trapp: Five Lines

The final show in this year’s MimeLondon festival is this intriguing work of ‘microcinema’ from German duo Frau Trapp. Here they use a diorama-style set and a film camera to spin a yarn about a couple living in a dystopian world shaped by our own era’s extreme greed.
  • Experimental

KS6: Small Forward

The legendary exiled company Belarus Free Theatre returns to the Barbican’s smaller Pit venue for a more intimate show than their recent main stage hits Dogs of Europe and King Stakh’s Wild Hunt. KS6 stars and is about Belarussian basketball player Katya Snytsina, who played her her country for 20 years – the only succssful Belarussian sportwoman to ever come out as gay – before going into exile in 2020.
  • Experimental

Concrete Garden

London’s beautiful Brutalist masterpiece The Barbican Centre is welcoming in the new season with ‘Concrete Garden’, a cross-arts programme of workshops, talks, screenings and events all celebrating those happy Spring feelings of renewal, growth and wellness. The whole series is inspired by the Barbican’s new major exhibition focussing on the work of American artist Noah Davis whose figurative paintings elevate the everyday and Citra Sasmita’s Curve commission Into Eternal Land explore ancestral memory, ritual and migration – both exhibitions will run throughout the programme.  Other events to look out for are a performance from jazz pianist Jason Moran inspired by Davis, a show from F* Choir, Noah Davis curator tours, talks uncovering the magic in everyday life and a series of takeovers in the Barbican’s leafy conservatory including talks, workshops, and performances.

The Seagull

It’s a pretty damn starry start to 2025 over at the Barbican, as producers Wessex Grove lure legendary German theatremaker Thomas Ostermeier back over to London – following last year’s An Enemy of the People – to craft his first original British show. And what a cast: the legend that is Cate Blanchett will star as vain, insecure middle aged actress Arkadina in a new version of Chekhov’s early masterpiece by Ostermeier and Duncan Macmillan. Tom Burke will play her writer lover Trigorin, with Emma Corrin as the young actress Nina who becomes infaturated with him. They’ll be joined by Priyanga Burford (Polina), Zachary Hart (Medvedenko), Paul Higgins (Shamrayev), Tanya Reynolds (Masha), Kodi Smit-McPhee (Konstantin) and Jason Watkins (Sorin). It’s a stunning cast, but don’t go expecting a trad production from provocateur Ostermeier – his interpretation of the play is liable to be as much a talking point as anything Blanchett does, no matter how spectacular.
  • Drama

Young Barbican Takeover Festival

A festival curated by and made for London’s emerging creatives, the Young Barbican Takeover is a day jam-packed with workshops, live music, performances and talks all hoping to get your artistic juices flowing. Hear from industry professionals including Travis Alabanza, James Massiah and Charlie Brinkhurst-Cuff, join workshops led by Artizine and Material Grrrlz, listen to underground guitar musicians picked by So Young Magazine, hear readings from Barbican Young Poets and watch an afternoon of film screenings curated by the Barbican Young Film Programmers alumni. 

Fiddler On the Roof

4 out of 5 stars
Following its acclaimed summer 2024 run at the Regent’s Park Open Air Theatre, Fiddler on the Roof transfers to the Barbican as park of a tour of the UK. There’s an irony that ‘Fiddler On the Roof’ is being revived in the only theatre in London that doesn’t have one. But Jordan Fein’s joyous, then suddenly very sad production is all about uprooting traditions. So for the opening image – one of the most famous in musical theatre – where the fiddler would normally fiddle on a shtetl rooftop, here instead in Tom Scutt’s superb design he stands among wheat sheafs on a strip of land uprooted and peeled back like skin to hang threateningly above the stage.It’s a remarkable image in a production full of them; a production about reinventing a classic musical through small gestures and symbols, rather than radical high concepts. Famously, ‘Fiddler’ was criticised when it premiered in 1964 as ‘shtetl kitsch’. We’ve got Tevye, the old wisecracker, and the increasingly untraditional marriages of his daughters; we’ve got the small Jewish community with the matchmaker and the slightly hapless Rabbi.But Fein, who co-directed ‘sexy Oklahoma!’ when it came to London last year and helped strip it of any hokey old associations, eradicates the kitsch here, too. Yes it’s funny – Adam Dannheisser’s Tevye still cracks jokes and talks to the audience, though he’s more dad-funny than the kind of showman-comedian that Tevye often becomes – and yes it’s faithful, but this is a serious...
  • Musicals
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