Oran Mor, Pubs, Nightlife, Glasgow
Photograph: Oran Mor
Photograph: Oran Mor

The best live music venues in Glasgow

From small and intimate gig spots to huge arenas hosting the biggest names, here's our pick of Glasgow's best music venues

Annie McNamee
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If people make Glasgow, music is what fuels it. The city's music scene was thriving long before the rest of it had caught up, with places like the Barrowlands and the Old Fruit Market offering locals good, cheap live music when general attitudes of Glasgow were, let's just say, less than favourable. 

But those days are behind us, and Scotland's biggest city is now known across the UK for its vibrant cultural heritage, nightlife, and, of course, its music scene. Whether you're looking for an arena of people to scream along your favourite songs with, or a small makeshift stage at the back of a bar to find your new favourite band, Glasgow's got you sorted. Fair warning though: crowds here are famously rowdy. They're a lot of fun, but don't be surprised if you end up beer-soaked. Oh, and brush up on our local chants. You don't want to be the only person not shouting along with 'here we, here we, here we f'ing go!'. 

Glasgow live music venues

  • Music
  • Music venues

The Barras, as it’s known to the locals, isn’t just the best music venue in Glasgow. A great number of people, including dozens of musicians who have sold out shows from Sydney to Stockholm, believe it to be amongst the best in the world. Its past life as a ballroom has left it in strikingly good condition, retaining its original decor and sprung dancefloor, meaning that when the crowd moves – and Glasgow crowds can move – the room literally bounces. Its relatively small 1900 capacity hasn’t stopped it from hosting some of the biggest names in music over the years. 

Previous line-ups are a who's-who of the 20th and 21st century music industry from rockers like Metallica and Oasis (who both named it as one of their faves ever), to beloved indie kids like Phoebe Bridgers. Legend has it that Bowie once stole one of the decorative stars from behind the stage. Basically, anyone who’s anyone has been here – and loved it.

This is a place with real history, and real prestige and it’s easily the best place to catch a gig in Glasgow.

  • Music
  • Music venues
O2 Academy Glasgow
O2 Academy Glasgow

Ever since its sister, Sauchiehall Street’s 02 ABC, closed after a fire in 2018, the 02 Academy has taken on the lion’s share of mid-sized gigs in Glasgow. With a larger capacity than the Barrowlands, it has become the place for artists on the up-and-up, graced in recent times by the likes of The Last Dinner Party, Chappel Roan, and Fontaines DC. Its slightly out-of-town location may at first be slightly off-putting, but it is almost literally a stone’s throw away from a tube stop and a great pub, which is all you really need for a great night out.

Its light-up board, which proudly decrees who is playing any given night, has become something of a local icon, and inside you’d be hard pressed to find a bad spot in the crowd. Plus, anyone you see here is either on the come down from mega success (think Pixies or the Sex Pistols), or a future megastar – either way you’re earning bragging rights.

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It’ll forever be known as the place where Alan McGee discovered Oasis. But King Tut’s, which opened in 1990, remains one of the world’s most famous small music venues for much more everyday reasons. With multi-band bills almost every night of the week, 52 weeks of the year, this two-story St Vincent Street gem has the highest turnover of live music anywhere in the city, maybe even in the UK. Much of that music comes from new and up-and-coming artists. Since playing early shows here, several groups have gone on to superstardom – including Radiohead, The Verve, Coldplay and The Strokes.

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  • Music venues

From its very prominent position at the meeting point of Glasgow’s two main shopping thoroughfares, the Royal Concert Hall is one of the city’s most instantly recognisable buildings. A mixed-use venue owned by the council’s cultural arm, Glasgow Life, GRCH hosts hundreds of events annually from across the genre spectrum – classical, jazz, rock and pop, spoken-word, and so on. Surrounded by a multitude of smaller performance spaces as well as extensive bar, café, shop and box office facilities, the main auditorium seats 2,475 people. Characterised by heavy geometrical wood panelling, it isn’t the prettiest concert hall in the world, but sound and sight lines are excellent.

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The massive, flying saucer-like SSE Hydro is the latest unmissable architectural landmark to be added to the now vast arena precinct by the banks of the Clyde. Opened in 2013 with a capacity of 13,000, it joined the 1980s-built SECC (Scottish Exhibition and Conference Centre, max capacity 10,000) and 1990s-built Clyde Auditorium (or ‘the Armadillo’ as its known, capacity 3,000), and immediately plugged a big, sub-stadium gap in live music and entertainment in Glasgow. Beyoncé, Miley Cyrus, Black Sabbath and Prince all played The Hydro within its first year while major events there have included the MOBO Awards, MTV Europe Music Awards and Ryder Cup gala concert.
  • Music
  • Music venues
Old Fruitmarket
Old Fruitmarket
It’s Glasgow’s oldest purpose-built performance and meeting space, and today home to the BBC Scottish Symphony Orchestra. It tends to be used for classical, jazz and folk concerts in the main – particularly during the annual Celtic Connections roots music festival in January, and the Glasgow Jazz Festival In June. But the Old Fruitmarket’s versatility has seen it used for a vast range of other events over the years, including rock, pop and R ’n’ B concerts (by everyone from P Diddy to Glasvegas), theatre performances, comedy sets (especially during March’s annual Glasgow Comedy Festival), banquets, fashion parties and club nights.
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Situated in the impressive Charles Rennie Mackintosh-designed former Daily Record building down Renfield Lane, Stereo has become one of the vibiest alternative café-bars and gig venues in the city since moving into town from the West End in 2007. A central location together with great food and drink and a diverse programme of events keeps the place buzzing from noon until night (3am at weekends), seven days a week. It’s one of the best gig venues in Glasgow for catching new, up-and-coming and cult local bands – members of which often double as bar staff.
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Mono is an independent music, arts, drinking and dining hotspot, with a vegan café-bar, record store, concert venue and gallery all under one big domed roof. If there’s a criticism it’s perhaps that when there isn’t a gig or some kind of event on (DJs play every weekend), it can feel a little quiet come the evening. As a concert venue it can be found a little wanting at times – lacking an in-house PA system, sound-quality is inconsistent. But the calibre of artists booked here – often cult and left field bands and singer-songwriters or experimental noise artists – keeps Mono at the very heart and soul of the Glasgow music scene.
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Saint Luke's & The Winged Ox

Often overlooked thanks to its placement literally in the shadow of the Barras’, St Luke’s is a relative newcomer to Glasgow’s music scene. Set inside of a nineteenth century church, it was renovated in 2013 by its current owners. Still complete with its original stained glass and pipe organ, it has definitely made tself known in its short decade of life.

Small but mighty, you’ll catch hidden musical gems, local up-and-comers, and classical instrumentals, all inside the intimate 700 person main room. If you fancy a pre-show meal, the Winged Ox restaurant is in the front of the building selling pub grub and pizzas good enough to fuel the soul as well as the body. 

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Annie McNamee
Contributor, Time Out London and UK
The glowing ring artfully adorning the steeple guides in punters to Oran Mor from miles around, to eat, drink, dance and generally carouse from morning until late seven days a week. It’s one of the few places in the West End with a proper late licence – until 2am weekdays and 3am at weekends. The 500-capacity basement Venue hosts all kinds of events – from the popular and prolific A Play, A Pie & A Pint lunchtime theatre series, to all kinds of concerts by major Scottish promoters and Oran Mor’s own in-house bookers, to clubnights at weekends (generally catering for an over 30s crowd).
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It's a café-bar, arts space and music venue down on the Southside, only open since 2012, but the Glad Café has established a winning reputation for its eclectic range of intimate gigs. In any given month you could see a touring jazz quartet, a local singer-songwriter with backing band showcasing a new album, a Casiotone dreampop combo or a solo bloke with an acoustic guitar. Bite to eat beforehand, beer after, sorted.
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Steadfastly doing its thing at the Charing Cross end of Sauchiehall Street since 1991, in recent years the famous Nice’n’Sleazy has transcended its status as an indie dive-bar and musicians’ haunt to become many things to all kinds of people – a place for great food, drinks, DJs, live music, dancing and just general hanging out from noon until 3am seven days a week. Downstairs, in the red interiored basement is, where the real action is. Gigs are slightly less common here than they once were, and pillars and low ceilings mean sight lines aren’t great. Even so, it remains a uniquely cool and atmospheric place to see a band.
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Rum shack

If the Barrowlands is Glasgow’s most iconic venue, Rum Shack is probably its coolest. Caribbean bar and eatery by day, this underrated southside joint has become one of the premier places to catch live hip-hop, jazz, soul, ska, and any other genres you might expect to hear on Radio 6. The best part? Advance tickets will usually leave you with change from a tenner.

But the eclectic events lineup isn’t the only thing worth checking out at Rum shack. The menu is full of delicious, authentic Caribbean dishes, and the bar is stocked to the heavens with more than 100 different rums. You can even bring your dog, although they sadly aren’t allowed into the music venue. Apologies to any jazz-loving pups – maybe next time.

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Annie McNamee
Contributor, Time Out London and UK
  • Art
  • Galleries

Incorporating an art gallery, performance space, café, cinema and offices, this multipurpose creative hub can host everything from exhibitions and film screenings to concerts and DJ sets all in the course of the same day. As a concert space, the CCA has also begun to really come into its own. Its 300-capacity main venue having played host to the likes of Camera Obscura, PAWS, Veronica Falls and Oneohtrix Point Never in the last few years, and been used as a hub for festivals such as experimental music weekender Counterflows and indie all-dayer Stag and Dagger. It is, however, potentially facing closure very soon, so be sure try it out before its impending extinction.

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After more than two decades of dereliction, near-complete disuse, and loud calls and campaigns for its restoration by locals with support from prominent Scottish groups including Belle and Sebastian, Teenage Fanclub and Franz Ferdinand, the Kelvingrove Bandstand has finally been given a major facelift. It reopened in 2014, in time for the Commonwealth Games. The rebirth of this iconic structure, built in 1924 and designed by Glasgow architectural godfather James Miller, has been warmly welcomed.
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The place where Glasgow’s art, clubbing and live music scenes meet: Since 2009 SWG3, aka Studio Warehouse, and the adjoining Poetry Club have become established as among the most vital independent multifunctional creative spaces in the city. The Poetry Club hosts regular music and spoken-word happenings, including intimate encounters with the likes of Primal Scream and Patti Smith, and regular club nights such as queer electro dance party Hot Mess and reggae sound system Argonaut Sounds. The much larger SWG3 has the feel of a hip blank canvas, and can host upwards of 1,000 people.
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Platform
Platform
In the housing scheme of Easterhouse, way out in the east of Glasgow, you find Platform. It's part of a community resource complex that includes a college, swimming pool and library, collectively known as the Bridge. Platform is the performance venue however and hosts music nights that can range from jazz or experimental electronica to folk and more. The good people at Monorail Music, in the same building as the esteemed Mono café-bar, sometimes run a bus out to Platform gigs – ask in the shop. The round trip is 20km or so.
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As a music venue, Broadcast doesn’t have anything like the shoebox-sized buzz of its predecessor The Captains, and the sightlines are pretty terrible once there’s a sizeable crowd in (you may be reduced to watching the show on a fuzzy TV screen by the bar). But if you can squeeze down the front, this dark, low-ceilinged basement is great for up-close-and-personal encounters with the likes of The Amazing Snakeheads, Sleaford Mods and Young Fathers.
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  • Clubs

Reclaimed from the dank, dark, rat-infested old archways beneath Central Station and the tracks of the West Coast Mainline, this is one of the biggest, best and most respected multi-arts complexes in Europe. It was the vision of founding artistic director Andy Arnold to fund a programme of plays with revenue from clubbing, at a time when the acid house movement was sweeping the world. A remarkable symbiotic relationship began. It has been closed since 2015, but is due to to reopen at some point in 2025. Take that with a pinch of salt however, as it's been due to return for a while and it hasn’t, so it’s a bit of a mystery. Either way, whenever the Arches does make its triumphant comeback, it won't be one to miss.

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