Shrek the Third

As with many film franchises, you could string together all three of these money-spinners and not notice the joins. The trouble with this third instalment, though, is that a) its Arthurian premise is dispiritingly conventional and b) the pop culture references are starting to wear thin.

‘Shrek the Third’ centres on hammy wannabe actor Prince Charming (voice of Rupert Everett) who, it turns out, isn’t that charming after all. In fact he’s a spoiled egomaniac who loves himself more than his heckling audiences do. When Charmless finds out that the dying King Harold (John Cleese) has asked his ogre of a son-in-law, Shrek to seek out his natural successor (a distant nephew called Arthur Pendragon), he seizes the opportunity to organise an ego-boosting coup against the meek civilians of Far Far Away. With Shrek (Mike Myers) and his wise-cracking sidekick Donkey (Eddie Murphy) away in search of the new king, it’s left to the loveable ogre’s beloved wife Princess Fiona (Cameron Diaz) and her bevy of fairytale femme fatales to kick a few butts into touch. But that’s not all, there’s a sub-plot boiling away in Shrek’s mind and it involves babies…

Despite a number of protracted moments, a few scenes are truly inspired: the dying-frog sequence for one, and Shrek’s ‘Exorcist’-inspired nightmare about parenthood for another. Some jokes sail close to innuendo, but in the main they’re balanced enough to appeal to all ages. The CG animation, too, is as refined as we’ve come to expect. Just a shame it lacks the smart sassiness of its predecessors. Time to call time, we think.